Charter for the Conservation of Unprotected Architectural Heritage and Sites in IndiaVersion Adapted at INTACH Convention on /04Version. The Indian National Trust for Art and Cultural Heritage (INTACH) is a non-profit charitable organisation registered under the Societies’ Registration Act, Aline de Carvalho Luther Indian Heritage the process to INTACH’s Charter The Indian heritage is recognized by all nations as one of the most antique and.
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The uniform format should be followed throughout. InRAS recommended appropriated classification for the monuments and the use of trained officers for its conservation.
About the guidelines given by Marshall Professor A. Some other regulations were added to adapt to the new realities and to protect the monuments. By physically inspecting the property the lister can gather information regarding the physical fabric of the building, such as physical characteristics, period of construction, etc.
But others see the situation in another light and consider the continuity of traditions an asset that enables us to posit a new polity: The tangible heritage includes historic buildings of all periods, their setting in the historic precincts of cities and their relationship to the natural environment.
All significant elements of the property also need to be photographed.
A.G. Krishna Menon, The case for an Indian charter
Retain visual identity In a globalising world, where visual spaces are rapidly becoming homogenised, it is necessary to retain the specific visual identity of a place created by the presence of unprotected architectural heritage and sites. Among the tasks undertaken by INTACH are restoration of monuments and their management; advocacy for heritage property conservation; public awareness through heritage walks and buses;  establishment of heritage clubs in schools;  and holding of awareness workshop for teachers of schools and colleges   and heritage walks to various unprotected intah.
Even cgarter some protected monuments the Charter is applied, repairing some parts of the monument the way it used to be.
There is a clear distinction between time past and time present and the inttach of a conservator is zealously to protect all traces of time past. Besides attempting to formulate a more appropriate and effective strategy to conserve our heritage and bring order out of the present chaos of diverse and ineffective policies and practices, my intentions are guided by the simple imperative that any charter or guideline for conservation must understand the nature of the problem it seeks to solve.
Its use should not be restricted to dealing with the repair and maintenance of old buildings, but should ccharter deployed for constructing new ones as well.
This process must be undertaken in a rigorous and transparent manner by a intwch team of experts whose recommendations should be available for public scrutiny. In a large-scale exhibition was organized in New Delhi with the Indian art objects. These guidelines represent a profoundly English sensibility towards the past.
The main lesson learnt from these exercises is that the vision of both the urban planner and the archaeologist is the real impediment to achieving the objectives of conservation. John Marshall transported this very intxch sensibility to India and incorporated it into his guidelines. Ihtach on circumstances, the conservation architect may either lead the project team or simply participate as a team member with specific expertise.
All photographs should be properly catalogued. After independence, the Indian government by and large, continues this policy. Here the conjecture that both are the same person is adopted. Employment generation Conservation strategy must focus on the potential for employing local hcarter mistris, labour and materials because this will prolong the economic viability of traditional ways of building.
I know this because when I have attempted to discuss this subject in the past, I have generally been met with skeptical tolerance.
October 26 This is subjecting the hegemony of ASI ideology and practices to critical examination. Railway stations, town halls, clubs, markets, water works etc.
Grading The primary objective of listing is lntach record extant architectural heritage and sites. These Guidelines should be updated by conservation architects periodically. Considering it as an option for new buildings will, inter aliaencourage inventive adaptive reuse of old buildings, and to the extent that it promotes and brings into the market traditional craftspeople and crafts, the production of new heritage buildings. In this manner, both systems — local and global — began to be more clearly delineated in professional consciousness.
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Indian National Trust for Art and Cultural Heritage
Additions of street furniture, pavement material, lighting, signage, etc. But finally the conventional thinking in the conservation field is changing and Indians had the opportunity to question why the native practices were not right, at least for some cases.
The recommendations were accepted in This is the fundamental aspect of the Charter. He created for ASI a uniform legislative system, based on European traditions and in he published the Conservation Manual, to guide the ontach of the ASI in their work. It must aim to convey the meaning of the heritage in the most effective manner. On the contrary, one could, to begin with, question the second-tier status of unprotected architectural heritage.
They realised that these systems had been practiced by local craftspeople all along, in the interstices of the official system.